Technically speaking, my specialties are: ADR, VO and Foley recording, editing and mixing; surround mixing (5.1); final mastering, (including M&E) soundtrack restoration and sound design/supervision.
I love cinematic storytelling and the process that brings it to life. But helping to realize the soundscape of a film or video requires more than just the engineering expertise I’ve developed over nearly two decades in Hollywood, and the last over half-dozen years in Europe. Becoming quickly adept with new, fast-paced workflows and making everyone feel comfortable—creatively, technically, and personally—right from the start, are skills I draw upon just as much as technical mastery. From movie stars to non-professional talent, from directors exploring their vision to sound supervisors expanding a vision, I’ve had the good fortune to work with varied teams having different needs—for feature films, television, documentaries, animation, commercials, trailers and restoring the audio tracks of movie classics and TV shows. This diversity and depth of experience and skills is the value I bring to every session and every client, both long-time and first-time.
Good on-screen storytelling of any size or scale deserves (and needs) good sound. Please contact me to discuss in what capacity I could help your project.